June 4, 2010

The Tate and Voyeurism

Filed under: Art events — Alan @ 9:28 am

The Tate and VoyeurismThere may still be a few in our modern culture who believe that the camera is a devil’s invention and steals a piece of one’s soul when a picture is taken.  OK, this is highly unlikely, but the fact is that hidden cameras are everywhere these days, and personal privacy is on the verge of extinction.

The Tate Modern exhibit that opened May 28th offers a startling and thought-provoking perspective on the subject called ‘Exposed: Voyeurism, Surveillance and the Camera’.

In the U.K. alone, there are at least five million closed circuit television cameras (CCTV’s), which is one for every twelve citizens, so no matter who you are, where you are or what you’re doing, there’s a good chance that someone is watching.  ‘Exposed’ is geared more towards the concept of camera as voyeur rather than as a security measure, evidenced by such displays as shots taken through bordello windows and pictures of couples in a park in Japan, all taken without the knowledge of the subjects.

Tate’s new curator of photography, Simon Baker, said that the exhibition is meant to raise questions about the role of photographic technology in our lives, just who is looking and for what purpose.

The line between journalism and voyeurism is extremely hazy, especially when it comes to celebrities and ‘public figures’.  Witness the shot of Paris Hilton, in a police car and in tears, or for that matter the pictures of Jackie Kennedy during and after JKF’s assassination.

More than 250 photographs are featured in the ‘Exposed’ showing, and they range from the mildly amusing to the horribly graphic.  Genocide, suicide and just about every human condition from unposed innocence to vicious cruelty and depravity are included, with the common ingredient being the unwitting exposure provided by the camera.  The question might come down to morality:  who wants to watch, and why?

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March 12, 2010

Ai Weiwei and the Tate

Filed under: Art News — Alan @ 4:29 am

Tate-logoThe Chinese Artist, Ai Weiwei, who worked on the collaborative design for the Beijing Olympics Bird’s Nest stadium will soon be working on the design for the Tate Modern Turbine Hall.

Weiwei has large footsteps to fill following in the likes of Rachel Whiteread, Anish Kapoor, and Olafur Eliasson working on a design for what is known as the most popular art attractions in Britain.

Of course, Weiwei has plenty of credits under his own name working alongside architects de Meuron and Herzog on the 2008 Olympic Games stadium, which is one of the most notable of modern designs.

Vicente Todoli, the director of Tate Modern, announced the appointment of Weiwei this week stating that the installations of Weiwei are some of the most engaged art works to be constructed today so the museum is excited to see how he will be able to work with the large public environment of the Tate Modern’s Turbine Hall which should be completed in October.

Weiwei was born in 1957 in Beijing and returned to his home to work after spending time in America during the eighties.  Since then he has had a large influence in Chinese contemporary art with works that include a photo-triptych recording of how a ceramic vase from the Han dynasty was dropped onto the floor.

Other works include a Munich wall to commemorate the 2008 Sichuan earthquake composed of children’s backpacks and a ‘colonization’ of the Kassel town made up of 1,0001 citizens of China.

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